With a poster with images of alcohol and a title that plays on the words "beer" and "gin," Nuel Naval's "The Last BeerGin" looks, at first glance, like a raucous party movie designed to titillate and attract only the hedonistic crowd.
The title itself suggests something wild and irreverent, perhaps even raunchy comedy. Yet beneath this marketing mask lies a very different kind of film: a faith-based dramedy that aims to reconnect Filipino audiences with God.